Minnetonka Audio SurCode For Dolby Pro Logic II VST RTAS V2

 
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MessagePosté le: Lun 2 Mai - 21:46 (2016)    Sujet du message: Minnetonka Audio SurCode For Dolby Pro Logic II VST RTAS V2 Répondre en citant




Minnetonka Audio SurCode For Dolby Pro Logic II VST RTAS V2.5.1 Hit > bit.ly/23jNKIx









Minnetonka Audio SurCode For Dolby Pro Logic II VST RTAS V2.5.1 Hit

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This brings us to the methods available in the Pro Tools environment to enable us to encode our surround mixes into one of the delivery formats described above. The Decoder plug-in's pink-noise generator is used to generate and send band-limited pink noise to the LCRS output channels, which is useful for setting up your monitor system. Share this page: Direct link: HTML link: Post this link on your favorite forums, sites, to your friends, to the socials! . (These playback levels are 'C-weighted, slow' measurements made with an SPL meter from your mixing position.) This helps to make sure that everyone mixing in Dolby Surround is monitoring at similar levels; our hearing response changes with volume, which is why we should check a mix done at high volumes to see if it still 'works' at low playback volume too. SRS Circle Surround Cinema and SRS Circle Surround Music are separate modes that are sometimes found in consumer receivers, while in LCRS mode the rear channels are folded down to mono and rolled off above 7kHz. Finally, the Music mode is the most versatile, and unlike the other modes, offers control over Panorama, Dimension and Centre Width options (though, like all decoder settings, these affect only the decoder part of the plug-in path and so will have no affect on the encoded signal).

Surcode For Pro Logic II provides four different decoder modes. You should choose Large if your Centre speaker is matched or closely matched, in terms of low-end frequency response, with your Left and Right speakers. Further options set the output Channel Configuration to match your monitor speaker configuration (see screen above), and allow you to attenuate the output of the Decoder to match the signal level without affecting the encoder path, making possible easier comparisions between the original and encoded/decoded mixes. All three of the plug-ins have their own virtues and limitations. The format can carry up to eight channels of audio, consisting of a six-channel surround mix and a separate stereo mix, as well as video content, menus and so on. SRS have also included optional bass management in the encoder process. The decoder operates in two modes: Monitor mode is for monitoring a Circle Surround-encoded two-channel mix and Xtract mode is for extracting dual-mono and stereo signals into surround sound. You then highlight the bounced file and select Soundcode Encoder from the Soundfield sub-menu of the Audiosuite menu.

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